The Clipper is my favorite, setting a value for internal clipping and allowing some really edgy variations of sounds. That includes a pulse width control, which makes the rectangle oscillator a lot more interesting, and an extended cutoff range (since Roland engineers limited the upper-end cutoff on the original device). Voice settingsĬlick the up arrow above ACID V, and you get a range of Voice Settings that correspond to common hardware hacks of the original TB-303 – like the best-in-class Devilfish mods. Distortion algorithms (in pop-up), plus Voice Settings – tweakable parameters – at top. Honestly, if a single section made me wish Arturia made this instrument as hardware, it’d be the distortion section. There’s greater diversity than in some competing products, and it’s convenient to be able to dial these in exactly and save them with a patch. Anyone playing the Arturia drinking game, take a shot.) These nicely vary from very subtle to very intense – I’m especially fond of that raunchy transistor. It’s enabled per-step in the sequence, which is great for variations, though it doesn’t retrigger – so if you toggle a series of adjacent steps, it’ll continue to modulate uninterrupted.ĭISTORTION gives you a ton of options, as you’d expect, including tape, tube, transistor, diode, crunch, overdrive, something called “thick,” and other models. VIBRATO is basically a fixed LFO that can be extended from slow pitch drift all the way up to audio-rate, FM-style modulation. The SUB OSC is a big deal, especially as you can push its level up with the BASS BOOST voice setting. You’ll also see some immediate additions. You can’t program 303-style on the Acid V – there’s only the modern sequencer option – so you’ll use those buttons mainly for transposition and simple triggering. The main UI gives you all the basic 303 controls – pitch, cutoff, resonance, env mod, decay, accent, and the waveform switch, plus a row of trigger-able buttons and HOLD. But let’s look what’s going on on the interface. If you just want a strong 303 emulation, some more out-there acid-y extras, and a bunch of preset patterns and sounds, Arturia of course has you covered. So let’s instead assume that what’s appealing about Arturia’s take is the ability to expand on what a 303 is and add in other ideas. I doubt seriously you’d choose this one for authenticity alone, though, given the competition from Roland Cloud, Audiorealism, and D16, among others. The Acid V sounds really good, and you can tweak it in a way that makes it sound like original 303 hardware – or even what you imagine sounds more like the original hardware – with voice settings. There are also some nice extras like the ability to map the hold to a sustain pedal. 3 modulators, routable to nearly everything (only the voice settings are missing – you can even route modulation to sequencer rate).Randomization for generating new patterns.Advanced 64-step sequencer/arp with scale constrain feature (and yes, you can define custom scales).Voice settings for tweaking parameters, akin to 303 hardware mods (filter cutoff range, pulse width, etc.).Sub oscillator (with rect, saw, and sine waves and octave control, and the ability to pair with bass boost).Vibrato (including per-step sequence control). So let’s start with what’s on the Acid V that isn’t on an original TB-303: The Acid V looks like a 303, and covers all the basics with their usual oversized skeuomorphic look. But with Acid V, they’re moving into pretty crowded waters, as a hardware and software recreations of the Roland original abound. Steer the 303 sound into experimental territory with upgraded features & effects delivering sounds far darker, deeper, and more impactful than the original.Arturia’s soft synth collection includes some exceptional and rarely-emulated instruments. The strobe-lit dance movements of the ‘80s, ‘90s, and early ‘00s share the same analog DNA now it’s yours to manipulate, reinvent, and transform. The magic silver box that defined acid, modeled down to component-level detail, capturing the pure sonic essence of a certified bass classic.Īcid V is all about movement instantly spawn jagged polymetric sequences, hypnotic scale-based patterns, and endless sonic mutations. Give your bass the acidic treatment and set off a sonic chain reaction that’ll heat up your mix to lethal levels. The abrasive, hypnotic sound that gets synapses firing and feet tapping unlike anything else. Pump your mixes full of reactive ever-evolving bass grooves, unleash mutated sequences fizzing with distortion, and experiment with extra features for revitalized rave energy. Acid V v1.0.0 macOS P2P | 22 August 2023 | 530 MBĪcid V channels the cult-classic bass synth that pushed the underground into overdrive.
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